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April 2018

Call for Submissions: Special Issue of NCS on "Patchwork, Cut-and-Paste, Reassembly"

This special issue will focus on ideas of reuse and recombination. How were bits and scraps of materials, textual and otherwise, reassembled into new forms in the nineteenth century? To what ends? Essays might consider these issues in relation to images, fabrics, texts, and more. Possible topics could include scrapbooks, patchwork, quotation, citation, illustration, and any and all forms of recombination. Approaches from all disciplines, including literature, art history, history, music, and the history of science and the social sciences, are welcome, as are submissions that cross national boundaries and/or range across the nineteenth century. One particularly exciting feature of Nineteenth-Century Studies is thatthe journal encourages authors to enhance their contributions with pertinent artwork.

Please submit manuscripts of 8,000-12,000 words, following NCS's submission guidelines to guest editor Casie LeGette at legette@uga.edu. Early expressions of interest and proposals of topics are also welcome. The deadline for submissions of full manuscripts is August 1, 2018, but review will begin May 1, 2018 and earlier submissions are encouraged.

December 2017

Now Available: 19th Century Studies, Vol. 27.

The cover of NCS Volume 27

February 2017

Now Available: 19th Century Studies, Vol. 26.

The cover of NCS Volume 26

March 7, 2013
NCS introduces new online reviews feature. See online reviews.
March 1, 2011
NCSA introduces new Nineteenth Century Studies journal Web site.
March 15, 2010
Now Available: 19th Century Studies, Vol. 22.

 

Current Volume


Volume 28

Feature Articles

Amanda Klinger, "The Violence of Enlightenment in William Blake's Visions of the Daughter of Albion"

Andrew Winckles, "Masculine Robustness of Intellect and Feminine Delicacy of Sentiment: Agnes Bulmer's Select Letters and the Construction of Evangelical Femininity"

Gary Simons, "Thackeray's Art Exhibition Reviews: Art Criticism, Newspaper Journalism, and Social History"

Carra Glatt, "When Found, Make a Note of: Tracing the Source of a Dickensian Legend"

Sara Malton, "Vanishing Points: Gaskell, Impressment, and Nineteenth-Century Cultural Memory"

Joseph Fichtelberg, "Emily Dickenson's Picturesque War"

Matthew Salyer, "'As we was Kings': Allusive Historiography, Historical Romance, and Kipling's 'The Man Who Would Be King'"

Kimberly Stern, "At Wit's End: Oscar Wilde's Aesthetic Pedagogy"

Review Essay

Kathleen McCormack, "Anglophones Abroad"

Alison Chapman, Networking the Nation: British and American Women's Poetry and Italy, 1840-1870; Melissa Dabakis, A Sisterhood of Sculptors: American Artists in Nineteenth-Century Rome; Elisabeth Jay, British Writers and Paris 1830-1875

Lauren Jimerson, "The Legacy of Frédéric Bazille"

Frédéric Bazille and the Birth of Impressioinism. Curated by Michel Hilaire, Paul Perrin, and Kimberly A. Jones. Musee Fabre, Montpellier, 25 June-16 October 2016; Musee d'Orsay, Paris, 15 November 2016-5 March 2017; National Gallery of Art, Washington, D.C., 9 April-9 July 2017





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