For the title page, titles of sections, and some initial letters, Ruskin employed the taxing “double letter” print that he had used in “A Battle: Irregular Measure.” The flair of Ruskin’s fancy lettering is matched by his increased self-assertiveness on the title page: compare the precious but anonymous self-identification of the MS I title page, “PRINTED and composed by a little boy / and also drawn” (“Harry and Lucy,” Vol. 1: Title).