ÿWPCK ƨÿβ«ñ©éA¨ñ‚·WÕ·ÎûæúV=£ée-=6›Ù`ø0{æ{;Q´Ô[†ê?ià4í†"©…~Ì)ñ3•ÒÚN8Áß{®6À)˾^1³ï×'PW—’qÈÚ|E³þ’OÏsREÚöZ9±?ý áb/Eƒ /'úƒùiHnZêÛDÏ-ãõ{ƒ0qü¹ã§8Þ<çÁdÄ9xóÊ/.W/Žü†?zm¡P»ænS²Ë¦:•ìPç¾t/iÉ*+NJïŒO¤Ô'x¿O_FLæò$A侫&°—W}§× ÏPVmõâ»/F,£Ü 裦ÿÔ݆Ó^¶ S·´dÞ±qêSJR›Ž¥§ôX€Ü w2¨LNìkþÃøæMé…Ärƒ ÅÍ@7Ó>KãB‹VŠÕþy}¥œÁläŸlÉ:±•Òo'»¿UÄ¡ƒSå¡HPîüOØm¥ˆ©µ¦qæÒä†X½­äusæ»ò0 –Q•k[\ "‰çNTEî“èµæ/ÊàKý84L‰ºð"HìWW·ÃXû‘u¢'Ê‚cu?R0÷%L]lŠnÙñÇôäK•Mm XFó=ã¥4ð%;Ÿ0z§ 3cPÍŒu #ɨUNq %¿ 0:ÅÅ^ ÿw 4#2 m4˜ 0&Öd9 Z‹6Times New Roman RegularX(üœ$¡¡ÔUSUS.,Ôd"?é QJE=ê:i¢×+003|xÿU‹ÿÀÀÀÝ ƒüœ!ÝÔUSUS.,ÔÝ  ÝÔ_ÔDescribed€by€RuskinÌÌTaken€from€the€Gardens€of€the€Crown€Inn,€Seven€Oaks€€(1r);€€Seven€Oaks€church€from€Behind€theÐ ¤ô ÐCrown€inn€Gardens€€(2r);€€Ô_ÔKnoleÔ_Ô€house€and€park€€(3r);€€From€the€Tunbridge€road€near€Seven€Oaks€Ð žî Ð(4r);€€Entrance€to€Seven€Oaks€from€the€Tunbridge€road€€(5r);€€Leeds€Castle€near€Maidstone€€(6r);€theÐ ˜è Ðseventh€leaf€cut€away;€€Ruins€of€the€Roman€Tower,€Dover€Castle€(built€by€Julius€Caesar)€€(8r);€€One€ofÐ ’ â Ðentrance€towers.€Dover€Castle€€(9r);€€St€Ô_ÔRadigundsÔ_Ô€abbey€from€the€inside€€(10r);€€Entrance€to€sallyÐ Œ Ü Ðport,€Dover€castle€€(11r);€an€incomplete€and€Ô_ÔunannotatedÔ_Ô€drawing€of€a€ruined€wall€with€an€entranceÐ † Ö Ð(12r);€€Entrance€to€an€old€College€at€Maidstone€€(13r,€but€a€loose€sheet€that€may€be€out€of€place);Ð € Ð ÐÔ_ÔunannotatedÔ_Ô€drawing€of€large€rock€or€cliffs€with€trees€(14r);€Ô_ÔunannotatedÔ_Ô€drawing€of€a€ravine€(15r);€aÐ z Ê  Ðfence€and€trees€along€a€road€identified€as€€At€Ô_ÔDulwichÔ_Ô,€Surrey€€(16r);€four€blank€leaves.€(Tears€in€theÐ tÄ  Ðmargin€reveal€two€missing€leaves,€though€13r€appears€not€to€be€one€of€these.)Ð n¾  ÐÌà  àThese€subjects€closely€match€some€of€those€in€Mary€Richardsonððs€sketchbook,€which€mayÐ b²  Ðhave€been€done€at€Johnððs€side€at€the€same€time€in€either€1831€or€1832,€since€both€children€wereÐ \¬  Ðstudents€of€Charles€Ô_ÔRuncimanÔ_Ô„„Mary,€for€once,€even€maintaining€the€prior€claim€to€the€instruction€andÐ V¦ Ðaccomplishment€(see€Ô_ÔDeardenÔ_Ô,€ibid.,€p.€89,€and€òòÔ_ÔRFLÔ_Ôóó,€p.€258,€263).€Even€more€notable€is€how€closelyÐ P  Ðthe€subjects€match€Ruskinððs€own€drawings€in€the€1831€Ô_ÔBembridgeÔ_Ô€sketchbook„„annotated€in€the€1880sÐ Jš Ðby€Ruskin€as€€Gateway€at€Maidstone€1831;€Maidstone€Church€1831;€Dover€Cliffs;€[St.€Ô_ÔRadigundÔ_Ôððs]Ð D” ÐAbbey€near€Dover€see€òòÔ_ÔForsÔ_Ôóó;€My€first€tree€from€nature€1831;€Gateway€of€a€college€at€Maidstone€insideÐ >Ž Ðview€€(Ô_ÔDeardenÔ_Ô,€ibid.,€p.€89).Ð 8ˆ Ðà  àOne€wonders€whether€the€summer€1832€tour€was€limited€to€the€southeast€in€order€to€give€theÐ 2‚ Ðchildren,€especially€John,€ample€opportunity€to€develop€their€sketching€abilities,€going€over€andÐ ,| Ðimproving€the€same€subjects„„perhaps€at€Ô_ÔRuncimanÔ_Ôððs€recommendation.€In€February€1832,€Ruskin€hadÐ &v Ðboasted€to€his€father€how€he€had€invented€a€Welsh€scene€out€of€his€head€by€plundering€MaryððsÐ  p Ðsketches€for€the€techniques€he€needed:€€I€examined€one€of€Maryððs€pictures,€to€see€how€the€rocks€wereÐ j Ðdone,€&€then€another€to€see€how€the€woods€were€done,€&€another€to€see€how€the€mountains€wereÐ d Ðdone,€and€another€to€see€how€the€cottages€were€done,€and€I€patched€them€all€together,€&€I€made€suchÐ ^ Ða€lovely€scene€€(òòÔ_ÔRFLÔ_Ôóó€263).€By€returning€to€the€same€scenes€in€the€Southeast€on€what€would€amount€toÐ  X ÐRuskinððs€first€deliberate€sketching€tour,€perhaps€he€was€catching€up€with€Mary€and€learning€€how€it€wasÐ !R Ðdone.€Ð ü!L Ðà  àAll€of€these€sketches€employ€the€pencil€drawing€that,€Ruskin€said€later€that€February,€€does€wellÐ ö"F Ðfor€near€scenes,€analyses€of€foliage,€or€large€trees,€but€not€for€distance,€or€bare€&€wild€scenery€„„not,Ð ð#@  Ðthat€is,€the€watercolor€that€Ô_ÔRuncimanÔ_Ô,€impressed€by€Ruskinððs€Welsh€composition,€immediately€set€himÐ ê$: ! Ðto€learn,€and€not€the€dramatic€commotion€of€expansive€picturesque€views€he€attempted€in€his€€DoverÐ ä%4!" ÐCastle€€of€c.€1832€(òòÔ_ÔRFLÔ_Ôóó€267„68;€see€Paul€H.€Walton,€òòThe€Drawings€of€John€Ruskinóó€[London:€OxfordÐ Þ&."# ÐUniversity€Press,€1972],€pp.€7,€9€pl.€4).€The€sketches,€rather,€bring€the€spectator€close€to€the€subject,Ð Ø'(#$ Ðthough€always€from€the€perspective€of€entering,€exiting,€passing€by„„the€experience€of€picturesqueÐ Ò("$% ÐÔ_Ôtravel.Ô_Ô